Reims: Krönungsstadt, Champagner und Art-Deco-Eleganz

A Commanderie of the Order of Saint John of Jerusalem, founded on the site of a former Templar commandery in Reims, France.

A historic square, Place du Forum Reims occupies the site of the ancient Roman forum, with a central cryptoportique and a mix of commercial and public spaces. Reminiscent of its Middle Ages past, the square features Art Deco buildings and a public fountain.

A 16th-century private mansion and the birthplace of Saint Jean-Baptiste de La Salle, founder of the Brothers of the Christian Schools. Classified as a historical monument since 1920, it has been carefully restored and now serves as a research center and museum showcasing the history of the institution and its founder.

A historic opera house built in 1873 with architecture inspired by the Paris Opera House, featuring opulent ornamentation on the theme of music and the lyric arts.

A multi-story urban building, the Familistère des Docks Rémois is an Art deco structure constructed between 1925 and 1927, initially serving as the headquarters, store, and permanent exhibition space for the Docks Rémois department stores.

Abbaye Saint-Denis de Reims: An ancient Augustinian abbey founded at an unknown date, restored in 1067 by Gervais, Archbishop of Reims, and later affiliated with the Congregation of France. Today, it houses the Reims Museum of Fine Arts.

A museum showcasing European artistic movements from the 16th to 20th centuries, featuring paintings, sculptures, and objets d'art, with a strong focus on French and Flemish schools, including works by notable artists like Poussin, Corot, and Monet.

A Gothic cathedral in Reims, dedicated to the Virgin Mary, and traditionally the coronation site of French monarchs. Its 13th-century north rose window depicts biblical Creation, and its travertine stones are adorned with intricate sculptures and gargoyles.

A Gothic stone sculpture, the Smiling Angel is a remarkable work of the International Gothic style, featuring flowing drapery and a seeming detachment from the façade, carved between 1236 and 1245.