De Historische Schatten van Ronda: Een Reis Door Tijd en Architectuur

A Gothic and Manierist-style church, Iglesia de Santa María La Mayor is a Category: monument, distinguished by its unique architectural styles, visible in its Gothic nave and Manierist rector, with features like ornate wooden carvings and decorative entablaments.

A convent built in 1540 on a site of an Islamic prison and water tank, featuring a Mudejar art ceiling hidden by Baroque elements. It's part of the group of monuments in the Plaza de la Duquesa de Parcent.

A 16th-century palace built in Mudéjar-Renaissance style, featuring a facade with two square towers and a Baroque-style portada. The interior is arranged around three patios, with a Salón noble adorned with Mudéjar artesonado.

A modernista palace, Casa Don Bosco is a museum that maintains its original interior and exterior, featuring artesanía local, ceramics, and hand-carved wooden furniture from the 19th century. The building hosts a charming garden with views of the Gaudalevín valley and the Sierra de Grazalema.

A Roman-style stone bridge that spans the 120-metre-deep chasm of the Guadalevín River, dividing the city of Ronda, southern Spain. Completed in 1793, it was the newest and largest of the three bridges across the gorge.

A small bronze bust statue of Antonio de los Ríos Rosas, a local Spanish politician, stands on a sculpted column mounted on a plinth with the inscription "Rias Rosas 1878" and surrounded by colourful flowers.

A Parador de Ronda is one of the National Tourism Paradores, situated on the edge of Ronda's Gorge and beside the New Bridge, offering views of the gorge and the Guadalevín River valley.

A historic bullring built in 1779, designed by Martín de Aldehuela, with a unique stone structure and all-covered seating, hosting both bullfighting events and cultural exhibits.

A 17th-century church building that initially served as a hospital for the poor and sick, later becoming a parish church in the 19th century and undergoing several renovations and restorations.

A sculptural group comprising an almost naked man, two lions, and a coat of arms of Andalusia, representing the Andalusian feeling and symbol chosen at the Andalusian Assembly of Ronda in 1918.

A small, rectangular chapel, the Templete de la Virgen de los Dolores, has a roofscovered with Morisca tiles and ornate with rocallas and vegetable motifs.

A Catholic temple, Iglesia de Nuestro Padre Jesús, has a Gothic-style architecture and is believed to have been built in the late 15th or early 16th century.

A public fountain from the 18th century, made of stone, featuring two bodies. The lower part has eight taps with rosette-decorated boxes pouring into a basin, while the upper triangular pediment displays a shield, pyramids, and a cross.

A footbridge constructed in 1616, Puente Viejo is the second oldest of three bridges dividing the city of Ronda, carrying pedestrian traffic only.

A historic hammam, the Arab Baths of Ronda, is a well-preserved example of an ancient Islamic bathhouse, featuring a unique blend of functional and decorative features, including a noria and an acueducto for water supply and distribution.

A historic stone bridge, Puente Romano, also known as Puente Arabe, spans the Tajo de Ronda gorge, a 120-meter deep chasm in the Guadalevín river, supported by ancient Roman foundations.

A city gate built in 1742, the Puerta de Felipe V is a historic architectural element of Ronda, Andalusia, Spain. It features a double archway, adorned with the Anjou shell and the Royal Bourbon shield on its exterior facade.

A palace in Ronda, characterized by a striking Baroque façade featuring Corinthian columns, a decorative frieze, and four Incas figurines supporting a fronton with the promoters' coat of arms.

A destroyed church, the Parroquia de San Sebastián, was founded by the Catholic Monarchs in a 14th-century Muslim mosque, with its minaret reused as a bell tower.